.: ROJO®buy original art online :.

A selection of original artworks by ROJO® contributing artists is available for sale online. Artists are listed in alphabetical order. All artworks come with a certificate of authenticity signed by both ROJO® and the artist. For more information on any of the artists, the artworks, detail pictures of any of the pieces available or shipping estimates, please write to ROJO®.

Boris Hoppek
1970 - Berlin - Germany

Main piece of the new series of paintings made for Boris Hoppek's first solo exhibition in Sao Paulo, Brazil.

Africa, 2008
acrylic spray paint on canvas
195cm x 195cm
4.900 euros

Boris Hoppek
1970 - Berlin - Germany

Main piece of the new series of paintings made for Boris Hoppek's first solo exhibition in Milano, Italy.

Eva, 2008
acrylic spray paint on canvas
195cm x 195cm

Boris Hoppek
1970 - Berlin - Germany

Main piece of the new series of paintings made for Boris Hoppek's first solo exhibition in Milano, Italy.

Mascherare, 2008
acrylic spray paint on canvas
195cm x 195cm
4.900 euros

Boris Hoppek
1970 - Berlin - Germany

Main piece of the new series of paintings made for Boris Hoppek's first solo exhibition in Sao Paulo, Brazil.

Paula, 2008
acrylic spray paint on canvas
195cm x 195cm
4.900 euros

Christian Rex van Minnen
1980 - Providence - USA

In my work I find myself either suppressing or indulging my own desire to associate personal narrative to the raw visual information inherent in the material and process. Construction, destruction and reconstruction are symbiotic elements in the creative process allowing the image to fluctuate between abstraction and representation, truth and illusion, personal and archetypal.

Keyhole Portrait 3.1, 2008
Oil on Panel
46cm x 61cm
4.000 euros

Defi
1975 - Buenos Aires - Argentina

His first pets were two ducks, Tota and Toto, who became important characters on his childhood block. What began as innocent and casual play developed over the years, accompanying his first experiences of intervening in public spaces. His work achieves its potential when his many creations are exhibited in a single gallery space. His ducks lived for 10 years. He doesn’t know if they never had offspring because he desecrated their nests. He has fish now. Some in the freezer and others that are quarreling or fighting in three fish tanks.

01 (del libro de las horas), 2009
acrylic on paper
20cm x 24cm
200 euros

Defi
1975 - Buenos Aires - Argentina

His first pets were two ducks, Tota and Toto, who became important characters on his childhood block. What began as innocent and casual play developed over the years, accompanying his first experiences of intervening in public spaces. His work achieves its potential when his many creations are exhibited in a single gallery space. His ducks lived for 10 years. He doesn’t know if they never had offspring because he desecrated their nests. He has fish now. Some in the freezer and others that are quarreling or fighting in three fish tanks.

02 (del libro de las horas), 2009
acrylic on paper
20cm x 24cm
200 euros

Defi
1975 - Buenos Aires - Argentina

His first pets were two ducks, Tota and Toto, who became important characters on his childhood block. What began as innocent and casual play developed over the years, accompanying his first experiences of intervening in public spaces. His work achieves its potential when his many creations are exhibited in a single gallery space. His ducks lived for 10 years. He doesn’t know if they never had offspring because he desecrated their nests. He has fish now. Some in the freezer and others that are quarreling or fighting in three fish tanks.

03 (del libro de las horas), 2009
acrylic on paper
20cm x 24cm
200 euros

Eltono
1975 - Paris - France

Original piece part of the "invertidos" series and was displayed in Bermellón; Eltono's first solo show in Barcelona, Spain. The painting produced on this board is the reversed interpretation of an original artwork painted in public space. There is only one "inversed" board for each original painting.

Aquel Lado, 2008
mix media on constructed wood panel
70cm x 120cm
3.300 euros

Eltono
1975 - Paris - France

Original piece that is part of the "invertidos" series and was displayed in Eltono's first solo show in Barcelona, Spain. The painting produced on this board is the reversed interpretation of an original artwork painted in public space. There is only one "inversed" board for each original painting.

Mayoreo, 2008
mix media on constructed wood panel
92cm x 67cm

Eltono
1975 - Paris - France

Original piece part of the "invertidos" series and was displayed in Bermellón; Eltono's first solo show in Barcelona, Spain. The painting produced on this board is the reversed interpretation of an original artwork painted in public space. There is only one "inversed" board for each original painting.

Sinjuku, 2008
mix media on constructed wood panel
103cm x 88cm
3.500 euros

Fernando Chamarelli
1982 - Sao Paulo - Brasil

Fernando Chamarelli is a UNESP formed graphic designer, illustrator and visual artist. He started drawing cartoons,caricatures and realistic portraits and later became involved with street art and tattooing. It is by merging these different mediums that he creates his art. Chamarelli lives in a multicultural country of contrasts, therefore this environment reflects in his work. Including mosaic, geometric elements, organic forms and harmonic lines connecting symbols, legends, philosophies, religions and customs of ancient and modern civilizations. Within this diversity are the strong influence of Brazilian popular culture and pre-Columbian indigenous art. His art follows the rhythm of globalization, bridging borders and cultures closer. The Characters with serious expressions live in different realities and in situations that appear surreal. Music has a very important role during the creation, helping to give flow. Chamarelli currently lives and works in Bauru, São Paulo State.

Primavera, 2009
mixed media on canvas
60 x 90cm
1.200 euros

Fernando Chamarelli
1982 - Sao Paulo - Brasil

Fernando Chamarelli is a UNESP formed graphic designer, illustrator and visual artist. He started drawing cartoons,caricatures and realistic portraits and later became involved with street art and tattooing. It is by merging these different mediums that he creates his art. Chamarelli lives in a multicultural country of contrasts, therefore this environment reflects in his work. Including mosaic, geometric elements, organic forms and harmonic lines connecting symbols, legends, philosophies, religions and customs of ancient and modern civilizations. Within this diversity are the strong influence of Brazilian popular culture and pre-Columbian indigenous art. His art follows the rhythm of globalization, bridging borders and cultures closer. The Characters with serious expressions live in different realities and in situations that appear surreal. Music has a very important role during the creation, helping to give flow. Chamarelli currently lives and works in Bauru, São Paulo State.

Yansa, 2009
mixed media on canvas
60 x 90cm
1.200 euros

Fupete
1975 - Livorno - Italy

I draw and paint to save me.

Godzilla es una mujer, 2009
Acrylic, oil paintstick, pencil and paper collage on canvas
40cm x 50cm
1.200 euros

Fupete
1975 - Livorno - Italy

I draw and paint to save me.

Mais, struttura, 2009
Acrylic, oil paintstick, pencil and paper collage on canvas
40cm x 50cm
1.200 euros

Fupete
1975 - Livorno - Italy

I draw and paint to save me.

Os un mundo, 2009
Acrylic, oil paintstick, pencil and paper collage on canvas
50cm x 40cm
1.200 euros

Fupete
1975 - Livorno - Italy

I draw and paint to save me.

Society, ratio, think bla bla bla, 2009
Acrylic, oil paintstick, pencil and paper collage on canvas
40cm x 50cm

Fupete
1975 - Livorno - Italy

I draw and paint to save me.

Sotto il vulcano piove, 2009
Acrylic, oil paintstick, pencil and paper collage on canvas
50cm x 40cm
1.200 euros

Fupete
1975 - Livorno - Italy

I draw and paint to save me.

You mean sincope, 2009
Acrylic, oil paintstick, pencil and paper collage on canvas
50cm x 40cm
1.200 euros

James Roper
1982 - Knutsford - England

The inspiration for this series of works originated from my interest in Bernini's sculpture 'The Ecstasy of St.Teresa' and how Bernini visualised 'religious ecstasy' in an abstract form and inadvertently drew comparisons to psycho-sexual release. This is explicitly symbolised in the Rapture series by the use of porn stars as the vehicle for the expression of this 'spiritual' emotion, the shedding of carnal bodies giving way to an abstract purity beneath. The idea of release from the material to the spiritual is apparent in many religions as if there were a divine soul trapped in our earthly bodies, this is analogous to contemporary imagery found in comic books specifically the way in which Clark Kent, a normal man, sheds his clothes to become a Superman.

The Ecstasy of Amy Reid, 2009
mix media on paper
29.5cm x 42cm

Justine Ashbee
1979 - Nottingham - UK

These drawings are executed purely by hand, using paint pens. She begins with a curve, from which lines and forms start to emerge, evolve, morph, and grow organically, in an intuitive flow, while maintaining delicate, elegant precision. The methodology is rhythmic, spontaneous, and direct, reducing interference with mark-making - much like zen calligraphy, they are improvisational, and intuitively composed, where the physicality and the mark making become one.

Study Series 2, 2009
silver marker on black paper
51cm x 76cm
450 euros

Justine Ashbee
1979 - Nottingham - UK

These drawings are executed purely by hand, using paint pens. She begins with a curve, from which lines and forms start to emerge, evolve, morph, and grow organically, in an intuitive flow, while maintaining delicate, elegant precision. The methodology is rhythmic, spontaneous, and direct, reducing interference with mark-making - much like zen calligraphy, they are improvisational, and intuitively composed, where the physicality and the mark making become one.

Silver on Black, 2009
marker on paper
146cm x 93cm

Leah Tinari
1975 - New York City - USA

My work is a celebration of life. I strive to make paintings of my life, the people and the world around me. I want to create a wonderful and vital dialog between people and art, and between art and life.

Compare Hair Portrait, 2007
acrylic on canvas
100cm x 100cm
4.000 euros

Luke Chueh
1973 - Philadelphia - USA

I guess the easiest way to describe my work is to categorize it as "Pop Surrealist" or "Low Brow". My work is narrative,character driven, and it's also obvious that I was influenced by comic book and animation cultures. For these paintings, I was inspired by the name of the show and I toyed with the number 8 in both of my paintings.

T-Shirt, 2009
acrylic and ink on paper
20,30cm x 25,40cm

Luke Chueh
1973 - Philadelphia - USA

I guess the easiest way to describe my work is to categorize it as "Pop Surrealist" or "Low Brow". My work is narrative,character driven, and it's also obvious that I was influenced by comic book and animation cultures. For these paintings, I was inspired by the name of the show and I toyed with the number 8 in both of my paintings.

Teeth, 2009
acrylic and ink on paper
15,25cm x 20,30cm

Mario Wagner
1974 - Cologne - Germany

People are the central element in Mario Wagner’s collages. Narratives develop, moods are conjured and relationships are formed by and around the human being. Wagner’s repertoire often plays on fragments of pop-culture, technology or everyday urban life. The figures are trimmed, masked and displaced in more recently built spaces. Mountains are interacting with villages of bungalows, as do stairwells and film cameras from which rays of light protrude. Proportional contrasts and improbabilities are specifically relevant when, for example a gaping red mouth is depicted floating next to a proportionally small head. Wagner’s strategy always entails the generation of insecurity in his audience, in order to nudge the imagination into another world, into an artistic parallel universe. The narrative element is also significant to a great extent. Similar to a paused video film, one assumes the ability to fast forward the images and thus be able to anticipate more of narrative. A part from this aspect, the idea of an animation film of the figures and other constellations lends itself into a sequential impression.

All Night Long, 2009
collage and acrylic on paper
26cm x 36cm
750 euros

Mario Wagner
1974 - Cologne - Germany

People are the central element in Mario Wagner’s collages. Narratives develop, moods are conjured and relationships are formed by and around the human being. Wagner’s repertoire often plays on fragments of pop-culture, technology or everyday urban life. The figures are trimmed, masked and displaced in more recently built spaces. Mountains are interacting with villages of bungalows, as do stairwells and film cameras from which rays of light protrude. Proportional contrasts and improbabilities are specifically relevant when, for example a gaping red mouth is depicted floating next to a proportionally small head. Wagner’s strategy always entails the generation of insecurity in his audience, in order to nudge the imagination into another world, into an artistic parallel universe. The narrative element is also significant to a great extent. Similar to a paused video film, one assumes the ability to fast forward the images and thus be able to anticipate more of narrative. A part from this aspect, the idea of an animation film of the figures and other constellations lends itself into a sequential impression.

Crowded, 2009
collage and acrylic on paper
26cm x 36cm
750 euros

Mario Wagner
1974 - Cologne - Germany

People are the central element in Mario Wagner’s collages. Narratives develop, moods are conjured and relationships are formed by and around the human being. Wagner’s repertoire often plays on fragments of pop-culture, technology or everyday urban life. The figures are trimmed, masked and displaced in more recently built spaces. Mountains are interacting with villages of bungalows, as do stairwells and film cameras from which rays of light protrude. Proportional contrasts and improbabilities are specifically relevant when, for example a gaping red mouth is depicted floating next to a proportionally small head. Wagner’s strategy always entails the generation of insecurity in his audience, in order to nudge the imagination into another world, into an artistic parallel universe. The narrative element is also significant to a great extent. Similar to a paused video film, one assumes the ability to fast forward the images and thus be able to anticipate more of narrative. A part from this aspect, the idea of an animation film of the figures and other constellations lends itself into a sequential impression.

Drink!, 2009
collage and acrylic on paper
26cm x 36cm
700 euros

Maya Hayuk
Baltimore - US

Maya Hayuk is a muralist, photographer, printmaker, designer, curator, player of records, writer, performer, collector, Barnstormer, painter, videographer, documentarian and lover of life who's lives in Brooklyn, New York by way of San Francisco, Baltimore, Boston and Toronto.

The future's so bright I've got to get gay (diptic), 2008
mixed media on paper.
127cm x 178cm
3.000 euros

Michael de Feo
1972 - New York - US

Artist Michael De Feo is quintessential New York. Best known for his ubiquitous flower image, De Feo has been creating street art for over sixteen years. Not limited to the streets as his canvas, his work has also appeared in galleries and museums around the world.

Self Portrait, 2008
mix media on canvas
46cm x 52cm

Morgan Blair
1986 - Worcester -USA

Sea Captain, 2009
marker and pen on vintage paper
13cm x 18cm

Morgan Blair
1986 - Worcester -USA

Freelance illustrator living and working in Brooklyn, pining for the farm. This family of drawings - Sea Captain, Marker Mountain Study, and SpiceCat Post Spice - presents a modest exploration of hypothetical man, nature, and animal, whose stories lay somewhere between dreams and the distant past.

Marker Mountain Study, 2009
marker and pen on vintage paper
11,5cm x 15cm
125 euros

Morgan Blair
1986 - Worcester -USA

Freelance illustrator living and working in Brooklyn, pining for the farm. This family of drawings - Sea Captain, Marker Mountain, and Spice-Cat - presents a modest exploration of hypothetical man, nature, and animal, whose stories lay somewhere between dreams and the distant past.

SpiceCat Post Spice, 2009
marker and pen on vintage paper
11,5cm x 15cm

Motomichi
19XX - Tokyo - Japan

The subjects in his work are part human and part monsters. They can appear at once childlike and monstrous. Motomichi’s need to express the conflictive nature of human behavior in his work is also translated visually with the use of strong contrasting three colors (black,white and red) in both his digital work and in his paintings.

Never Again II, 2009
mixed media on paper
23 x 30cm
240 euros

Motomichi
19XX - Tokyo - Japan

The subjects in his work are part human and part monsters. They can appear at once childlike and monstrous. Motomichi’s need to express the conflictive nature of human behavior in his work is also translated visually with the use of strong contrasting three colors (black,white and red) in both his digital work and in his paintings.

Never Again III, 2009
mixed media on paper
23 x 30cm
230 euros

Motomichi
19XX - Tokyo - Japan

The subjects in his work are part human and part monsters. They can appear at once childlike and monstrous. Motomichi’s need to express the conflictive nature of human behavior in his work is also translated visually with the use of strong contrasting three colors (black,white and red) in both his digital work and in his paintings.

Water Bull II, 2009
mixed media on paper
23 x 30cm
240 euros

Motomichi
19XX - Tokyo - Japan

The subjects in his work are part human and part monsters. They can appear at once childlike and monstrous. Motomichi’s need to express the conflictive nature of human behavior in his work is also translated visually with the use of strong contrasting three colors (black,white and red) in both his digital work and in his paintings.

Yeti, 2009
mixed media on paper
23 x 30cm
230 euros

Motomichi
19XX - Tokyo - Japan

The subjects in his work are part human and part monsters. They can appear at once childlike and monstrous. Motomichi’s need to express the conflictive nature of human behavior in his work is also translated visually with the use of strong contrasting three colors (black,white and red) in both his digital work and in his paintings.

Men at the door, 2009
mixed media on paper
23 x 30cm
230 euros

MWM
1980 - Portland - USA

Matt W. Moore aka MWM is based in Portland, Maine USA. Working across a range of disciplines, from colorful vector illustrations style, to freeform watercolor paintings, and large-scale aerosol murals. Matt has been constantly evolving and expanding his visual vocabulary over the years, incorporating distorted shapes, rich textures and vibrant patterns into his unique "Vectorfunk" graphic language. MWM's artwork is a personal celebration of his craftmanship across many disciplines.

Paralell Universe #1, 2009
spraypaint on canvas
165cm x 80cm

Pixotosco
1963 - Sao Paulo - Brazil

Tony de Marco a.k.a. Pixotosco blends type design “haute couture” with the savage letters from his hometown, São Paulo. His series “Autropelo” subverts the “pixação” codes, overlaying messages to focus its impact.

Autropelo#5, 2009
mixed media on canvas.
150cm x 100cm
2.000 euros

Pixotosco
1963 - Sao Paulo - Brazil

Tony de Marco a.k.a. Pixotosco blends type design “haute couture” with the savage letters from his hometown, São Paulo. His series “Autropelo” subverts the “pixação” codes, overlaying messages to focus its impact.

Autropelo#6, 2009
mixed media on canvas.
150cm x 100cm
2.000 euros

Sixeart
1975 - Barcelona - Spain

Sixeart expresses through his childlike style, his experiences of the urban landscape, the city's melancholy, his preoccupations regarding the evolution and its consequences, the genetic manipulation- the romanticism for the world that's left behind, the images lost in the passage of the time… He is influenced by the urban landscape, Barcelona and its social popular culture, the first Spanish painters that he has been admiring since he was a little boy, and mother nature.

El Buscador de Reales, 2009
mixed media on canvas
200x200cm

price on request

Sixeart
1975 - Barcelona - Spain

Sixeart expresses through his childlike style, his experiences of the urban landscape, the city's melancholy, his preoccupations regarding the evolution and its consequences, the genetic manipulation- the romanticism for the world that's left behind, the images lost in the passage of the time… He is influenced by the urban landscape, Barcelona and its social popular culture, the first Spanish painters that he has been admiring since he was a little boy, and mother nature.

Sueñan las gallinas con ser humanas#1, 2009
mixed media on paper
70x100cm

Sixeart
1975 - Barcelona - Spain

Sixeart expresses through his childlike style, his experiences of the urban landscape, the city's melancholy, his preoccupations regarding the evolution and its consequences, the genetic manipulation- the romanticism for the world that's left behind, the images lost in the passage of the time… He is influenced by the urban landscape, Barcelona and its social popular culture, the first Spanish painters that he has been admiring since he was a little boy, and mother nature.

Sueñan las gallinas con ser humanas#2, 2009
mixed media on paper
100x100cm

Sixeart
1975 - Barcelona - Spain

Sixeart expresses through his childlike style, his experiences of the urban landscape, the city's melancholy, his preoccupations regarding the evolution and its consequences, the genetic manipulation- the romanticism for the world that's left behind, the images lost in the passage of the time… He is influenced by the urban landscape, Barcelona and its social popular culture, the first Spanish painters that he has been admiring since he was a little boy, and mother nature.

Sueñan las gallinas con ser humanas#4, 2009
mixed media on paper
100x100cm

Sixeart
1975 - Barcelona - Spain

Sixeart expresses through his childlike style, his experiences of the urban landscape, the city's melancholy, his preoccupations regarding the evolution and its consequences, the genetic manipulation- the romanticism for the world that's left behind, the images lost in the passage of the time… He is influenced by the urban landscape, Barcelona and its social popular culture, the first Spanish painters that he has been admiring since he was a little boy, and mother nature.

Sueñan las gallinas con ser humanas#8, 2009
mixed media on paper
100x100cm

price on request

Sosaku Miyazaki
1976 - Tokyo - Japan

Beautiful mixed media canvas, part of the newest recent series made by the artist.

untitled, 2008
mix media on canvas
72,8cm x 103cm

Sosaku Miyazaki
1976 - Tokyo - Japan

Spectacular triptic part of the newest recent series made by the artist, which was the most important piece of his recent solo exhibition in Barcelona, Spain.

Color Color, 2008
mix media on wood panels
156cm x 237cm

Sosaku Miyazaki
1976 - Tokyo - Japan

Beautiful mixed media canvas, part of the newest recent series made by the artist, presented in his recent solo exhibition in Barcelona, Spain.

untitled, 2008
mix media on canvas
100cm x 100cm
1.200 euros

Superblast
1976 - Heidelberg - Germany

SuperBlast discovered the sparkling world of graffiti writing in 1989. It opened up a whole new universe to him which led to a very personal style, tinted by Hip Hop, Punk Rock and Skateboard culture. Since then, he met and teamed up with some of the most interesting artists and companies in his field. He lives in Berlin and works as a graphic artist. The strength of his artwork, his knowledge of cultures and lifestyles, are precious contributions to a wide range of projects. Besides eclectic artistic explorations.

Utopia Manifesto, 2009
acrylic & marker on woodbox
30cm x 20cm
500 euros

Superblast
1976 - Heidelberg - Germany

SuperBlast discovered the sparkling world of graffiti writing in 1989. It opened up a whole new universe to him which led to a very personal style, tinted by Hip Hop, Punk Rock and Skateboard culture. Since then, he met and teamed up with some of the most interesting artists and companies in his field. He lives in Berlin and works as a graphic artist. The strength of his artwork, his knowledge of cultures and lifestyles, are precious contributions to a wide range of projects. Besides eclectic artistic explorations.

Utopia Rebirth, 2009
acrylic & marker on woodbox
30cm x 20cm
500 euros

Superblast
1976 - Heidelberg - Germany

SuperBlast discovered the sparkling world of graffiti writing in 1989. It opened up a whole new universe to him which led to a very personal style, tinted by Hip Hop, Punk Rock and Skateboard culture. Since then, he met and teamed up with some of the most interesting artists and companies in his field. He lives in Berlin and works as a graphic artist. The strength of his artwork, his knowledge of cultures and lifestyles, are precious contributions to a wide range of projects. Besides eclectic artistic explorations.

Utopia Snake, 2009
acrylic & marker on woodbox
30cm x 20cm
500 euros

Talita Hoffmann
1988 - Porto Alegre - Brazil

Brazilian artist. Besides drawing and painting, she plays bass in a band called Tom Enola.

Colonia, 2008
mixed media on paper
42cm x 51cm

Talita Hoffmann
1988 - Porto Alegre - Brazil

Brazilian artist. Besides drawing and painting, she plays bass in a band called Tom Enola.

It's A Long Way, 2008
mixed media on paper
50cm x 54cm
850 euros

Talita Hoffmann
1988 - Porto Alegre - Brazil

Brazilian artist. Besides drawing and painting, she plays bass in a band called Tom Enola.

Respiro, 2008
mixed media on paper
65cm x 40cm
890 euros

Tofer Chin
1979 - Los Angeles- USA

Tofer Chin, a Los Angeles native, continues to exhibit, in both gallery and museum, at Cerasoli Gallery in Culver City, CA, White Box in New York, Reina Sofia National Museum Art Centre in Madrid, and at ROJO® ArtSpace in Barcelona to name a few. Past works appear in The Los Angeles Times, Flaunt, Nylon, Trace, Big, Vice, Rojo, and Idn. In 2006, Rojo published his first book of photography, entitled 'Finger Bang', and in 2008, published his highly anticipated follow-up, entitled 'Vacation Standards'. He was recently commissioned by interior designer Kelly Wearstler to produce an original painting for the Viceroy in Miami and a unique sculpture for her personal collection. Chin received the 2008 Graphis Design Annual Gold Award for Flaunt No. 79, where he created an original painting for the issue's cover.

Green, 2008
acrylic on canvas
41cm x 31cm
925 euros

Tofer Chin
1979 - Los Angeles- USA

Tofer Chin, a Los Angeles native, continues to exhibit, in both gallery and museum, at Cerasoli Gallery in Culver City, CA, White Box in New York, Reina Sofia National Museum Art Centre in Madrid, and at ROJO® ArtSpace in Barcelona to name a few. Past works appear in The Los Angeles Times, Flaunt, Nylon, Trace, Big, Vice, Rojo, and Idn. In 2006, Rojo published his first book of photography, entitled 'Finger Bang', and in 2008, published his highly anticipated follow-up, entitled 'Vacation Standards'. He was recently commissioned by interior designer Kelly Wearstler to produce an original painting for the Viceroy in Miami and a unique sculpture for her personal collection. Chin received the 2008 Graphis Design Annual Gold Award for Flaunt No. 79, where he created an original painting for the issue's cover.

Purple, 2008
acrylic on canvas
41cm x 31cm
925 euros

{ths}
1969 - Essen - Germany

The pursuit of truth, absurdity of morality and irony of inhibition is the content of {ths} following his ‘Trash urban warfare porn dirt style pop’ style. The new canvases are the continuation, like a gigantic resized version from paper to canvas, of his 'Gluebooks', a selection of sketchbooks containing collage and filled with handwriting, rawness, dirt & pornographic images. An enlargement both in size and insanity. Hail to the King, Baby.

000000001, 2009
acryl, oil/color sticks, collage on wood
17x12cm
150 euros

{ths}
1969 - Essen - Germany

The pursuit of truth, absurdity of morality and irony of inhibition is the content of {ths} following his ‘Trash urban warfare porn dirt style pop’ style. The new canvases are the continuation, like a gigantic resized version from paper to canvas, of his 'Gluebooks', a selection of sketchbooks containing collage and filled with handwriting, rawness, dirt & pornographic images. An enlargement both in size and insanity. Hail to the King, Baby.

000000005, 2009
acryl, oil/color sticks, collage on wood
17x12cm
150 euros

{ths}
1969 - Essen - Germany

The pursuit of truth, absurdity of morality and irony of inhibition is the content of {ths} following his ‘Trash urban warfare porn dirt style pop’ style. The new canvases are the continuation, like a gigantic resized version from paper to canvas, of his 'Gluebooks', a selection of sketchbooks containing collage and filled with handwriting, rawness, dirt & pornographic images. An enlargement both in size and insanity. Hail to the King, Baby.

Mon Pariee, 2009
acryl, oil/color sticks, collage on canvas
120x90cm
2.000 euros

{ths}
1969 - Essen - Germany

The pursuit of truth, absurdity of morality and irony of inhibition is the content of {ths} following his ‘Trash urban warfare porn dirt style pop’ style. The new canvases are the continuation, like a gigantic resized version from paper to canvas, of his 'Gluebooks', a selection of sketchbooks containing collage and filled with handwriting, rawness, dirt & pornographic images. An enlargement both in size and insanity. Hail to the King, Baby.

Release The Girls, 2009
acryl, oil/color sticks, collage on wood
43x36cm
450 euros

{ths}
1969 - Essen - Germany

The pursuit of truth, absurdity of morality and irony of inhibition is the content of {ths} following his ‘Trash urban warfare porn dirt style pop’ style. The new canvases are the continuation, like a gigantic resized version from paper to canvas, of his 'Gluebooks', a selection of sketchbooks containing collage and filled with handwriting, rawness, dirt & pornographic images. An enlargement both in size and insanity. Hail to the King, Baby.

Riot, 2009
acryl, oil/color sticks, collage on wood
43x36cm
450 euros

{ths}
1969 - Essen - Germany

The pursuit of truth, absurdity of morality and irony of inhibition is the content of {ths} following his ‘Trash urban warfare porn dirt style pop’ style. The new canvases are the continuation, like a gigantic resized version from paper to canvas, of his 'Gluebooks', a selection of sketchbooks containing collage and filled with handwriting, rawness, dirt & pornographic images. An enlargement both in size and insanity. Hail to the King, Baby.

Two are better than one, 2009
acryl, oil/color sticks, collage on canvas
90x120cm

{ths}
1969 - Essen - Germany

The pursuit of truth, absurdity of morality and irony of inhibition is the content of {ths} following his ‘Trash urban warfare porn dirt style pop’ style. The new canvases are the continuation, like a gigantic resized version from paper to canvas, of his 'Gluebooks', a selection of sketchbooks containing collage and filled with handwriting, rawness, dirt & pornographic images. An enlargement both in size and insanity. Hail to the King, Baby.

We love him because he first loved us, 2009
acryl, oil/color sticks, collage on canvas
120x90cm
2.000 euros

{ths}
1969 - Essen - Germany

The pursuit of truth, absurdity of morality and irony of inhibition is the content of {ths} following his ‘Trash urban warfare porn dirt style pop’ style. The new canvases are the continuation, like a gigantic resized version from paper to canvas, of his 'Gluebooks', a selection of sketchbooks containing collage and filled with handwriting, rawness, dirt & pornographic images. An enlargement both in size and insanity. Hail to the King, Baby.

Mind Fuck, 2009
acryl, oil/color sticks, collage on canvas
120x120cm

{ths}
1969 - Essen - Germany

The pursuit of truth, absurdity of morality and irony of inhibition is the content of {ths} following his ‘Trash urban warfare porn dirt style pop’ style. The new canvases are the continuation, like a gigantic resized version from paper to canvas, of his 'Gluebooks', a selection of sketchbooks containing collage and filled with handwriting, rawness, dirt & pornographic images. An enlargement both in size and insanity. Hail to the King, Baby.

Judge not according to the appearance, 2009
acryl, oil/color sticks, collage on canvas
120x120cm
2.500 euros