
Ayşe Küçük This Is My Beautiful Dream... Kiss Me
02.04.2009 - 03.05.2009
Since 2007, Ayşe Küçük has exhibited her work in Turkey, Romania, Italy and USA. In 2008, her work “Basement of Wonderland” led to her nomination as “The Best New Creative Talent” by young artist supporter Noise in Britain. Most notably, she has worked with Yoko Ono in New York City on a collective project titled "Dreamy Techniques" and her works have received critiques in NY Arts Magazine as well. While this personal exhibition is taking place, Ayşe Küçük's works will aslso be exhibited in NYCity APW Gallery.
"How could I write about dispersion in a language that gathers, organizes and defines the functions of diverse elements? I see non-geometric lines, lines that could have been hands, lines that could have been faces, lines that could have been animals.. Dispersion is not the dispersion of separate entities; entities are never scattered, the thing is scattered in and out of itself: Where the thing becomes its could have been, loses its identity but still continues to insinuate the thing, only then can we talk about dispersion proper. What is the thing that suggests the existence of an animal in the basement of wonderland : The paint. Where we are in lack of pain-t, where there is nothing but the lines in their purity, in their abstract particularity, we cannot think of a singular thing, but are left only with suggestions. The man that spits the wonder woman from its brain which is also a half-eaten apple, the woman which is also a smoke coming out of a hole which in turn transforms the man ointo a gastube, but it is also the woman which is at the same time a running animal which transforms the man into a hunting gentleman: There is always a metonymic quality in pure lines. The abstract particular that makes the thing that thing changes rapidly, flows, creates entities that do not stay the same but only suggest other things, give rise to other things which turn back and alter, mutate, mutilate the thing that has given rise to them. Lines define what Foucault would call the "desacralization of space". They always escape : They escape paint as much as they escape my words. I could never speak about lines." - Ayşe Küçük
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